![]() ![]() Cubase is a sophisticated piece of software, and it does a lot more besides MIDI sequencing. Let's start with the omission - there's no tutorial booklet. It's not unknown for the latest release of a piece of software to be harder to use than the version it replaced, or to have added unwanted irritations.įor newcomers to the program, the bulky Cubase package is lacking in one important respect, and there is also one object in the box whose presence is decidedly unwelcome. Most of the differences between version 2 and version 3 are differences in detail, not major changes, and fortunately they don't seem to get in the way of the Cubase interface at all. Don't expect there to be vast differences or improvements. Version 3 really does bring the concept fully to fruition, and it's difficult to see how further large scale improvements could be made within the limitations of currently popular hardware. Version 1.0 had all the elements in place and, although it was readily apparent that there was a lot of room for fine tuning, you could create serious music with it. ![]() In contrast to the usual pattern of software release (good idea presented in bug-ridden form in version 1, debugged and more useful version 2.), Cubase has been usable from the start. Sequencers which employ lists rather than graphics, although their ultimate power may be equal to or even greater than Cubase, are limited because if you can't get at that power easily then it is bound to be largely wasted. This is better because there isn't a gap when the cursor reaches the edge and the screen has to be redrawn, but when I remarked in a previous article about Cubase being a link with the future of audio, this is what I was referring to. At these higher price levels, faster computing hardware is available and the segments scroll past a fixed cursor rather than the reverse as in Cubase. Professional digital audio hard disk editors usually have similar displays, involving moving segments of some kind so that you can see the audio as well as hear it. Other sequencers I have tried have all had their strong points and have the edge on Cubase in certain areas, but Cubase's visual display provides such a strong link between the sounds you hear and the MIDI data held in the computer's RAM that sequencing can be almost as intuitive as improvising on the keyboard. I think Cubase is great and I don't mind if Steinberg do pinch great chunks of my articles to use in their ads! I wouldn't say that Cubase is perfect yet, even at the new version 3.0 level, but for state of the art sequencing of mainstream music on current hardware, it's hard to beat. “Probably the best iPad-based DAW in terms of usability and flexibility, and it links up with Cubase on your desktop, too.” - MusicTech.Yes, I admit it. “Cubasis is the new standard for mobile DAWs.” - Smitematter “Cubasis is another serious piece of music creation software.” - DJ Mag “Cubasis is a serious proposition for music production on iPad.” - Ask.Audio MIPA AWARD 2017・TASTENWELT PRODUCT AWARD 2015・FUTURE MUSIC GEAR OF THE YEAR AWARD 2014・MIA AWARD 2013 Meet one of the fastest, most intuitive and complete audio and MIDI DAWs available on iOS today: Cubasis 3. Enjoy performing, recording, mixing and sharing your music in no time, wherever you are, right there on your iPhone and iPad. Quickly and easily capture your musical ideas as soon as they arrive and turn them into professional-sounding songs with the multi-award winning Cubasis 3. ![]()
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